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Imaginative literature requires conflict. |
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Part 1 of The Old Formalism, "The Practice," is a close study of some of the conventions and developments in contemporary
American poetry, with such topics as "sex and poetry" "rhetoricity," and "sensibility." |
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Holden shows lucidly how character—or lack of it—is revealed in poetry. In "Personae," the second part, he gives a studied reading of a group of several admired poets, such as Richard Hugo, Mary Kinzie, Ted Kooser, and William Stafford. Holden uses biographical references and personal contacts with the poets to strengthen the notion of character revealed in poetry. This book takes a decided stand in the ongoing debate of the past two decades about the relationship of American poetry to American
culture. In an age when image dominates word, and the business of poetry is nearly as celebrity-laden as Hollywood, Holden takes us past the media glitz, backstage where the poems are waiting to be read. Quite simply, in a clear, incisive manner, he teaches us how
to read well again. |
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